“C. NAYA
VENEZIA
CAMPO ST. MAURIZIO, No. 2758.”
“Tre ponti a S.(anta) Marta”
Biographie und weitere Bespiele von Carlo Naya auf Sparismus:
Carlo #Naya, cdv #1, #Venezia, Campo San Maurizio No 2758, Veduta presa da San Giorgio Maggiore, cdv, circa 1865 https://sparismus.wordpress.com/2015/07/30/carlo-naya-venezia-campo-san-maurizio-no-2758-veduta-presa-da-san-giorgio-maggiore-cdv-circa-1865/
Carlo #Naya, #Venezia, Campo San Maurizio No 2758, cdv, Riva degli #Schiavoni, circa 1865
https://sparismus.wordpress.com/2015/08/05/carlo-naya-venezia-campo-san-maurizio-no-2758-cdv-riva-degli-schiavoni-circa-1865/
Carlo #Naya, #Venezia, Campo San Maurizio No 2758, cdv #28, Panorma dal #Campanile, westwärts, #Dogana da Mar, circa 1865 https://sparismus.wordpress.com/2015/08/10/carlo-naya-venezia-campo-san-maurizio-no-2758-cdv-28-panorma-dal-campanile-westwaerts-dogana-da-mar-circa-1865/
Carlo #Naya, #Venezia, Campo San Maurizio No 2758, cdv #31, Canal Grande, #Canalazzo, Blick auf Ponte di Rialto, #Rialtobrücke, circa 1865 https://sparismus.wordpress.com/2015/09/06/carlo-naya-venezia-campo-san-maurizio-no-2758-cdv-31-canal-grande-canalazzo-blick-auf-ponte-di-rialto-rialtobruecke-circa-1865/
Carlo #Naya, #Venezia, Campo San Maurizio No 2758, cdv #35, Veduta presa dalla Salute, #Bacino di San Marco, #Campanile, circa 1865 https://sparismus.wordpress.com/2015/09/04/carlo-naya-venezia-campo-san-maurizio-no-2758-cdv-35-veduta-presa-dalla-salute-bacino-di-san-marco-campanile-circa-1865/
Carlo #Naya, #Venezia, Campo San Maurizio No 2758, cdv #70, Ca’ #Rezzonico, Palazzo #Giustiniani e #Foscari, circa 1865 https://sparismus.wordpress.com/2015/08/31/carlo-naya-venezia-campo-san-maurizio-no-2758-cdv-70-ca-rezzonico-palazzo-giustiniani-e-foscari-circa-1865/
Carlo #Naya, #Venezia, Campo San Maurizio No 2758, cdv #109, #Piazetta di San Marco, circa 1865
https://sparismus.wordpress.com/2015/08/15/carlo-naya-venezia-campo-san-maurizio-no-2758-cdv-109-piazetta-di-san-marco-circa-1865/
BPLDC no.: 08_04_000175
Page Title: Tre Ponti a Santa Marta, by Carlo Naya (1816-1882).
Collection: William Vaughn Tupper Scrapbook Collection
Album: Volume 44: Venice.
Call no.: 4098B.104 v44 (p. 28)
Creator: Tupper, William Vaughn
Genre: Scrapbooks; Albumen prints
Extent: 1 photographic print mounted on page : albumen ; page 33 x 39 cm.
Description: Scrapbook page contains one photograph with a view of the meeting of three bridges (tre ponti) at Santa Marta in Venice, Italy.
Notes: Page title and description supplied by cataloger, derived from captions and/or annotated information.; Caption on image: Carlo Naya (1816-1882) – 373 – Venezia. Tre Ponti a Sta. Marta
BPL Department: Print Department
Rights: No known restrictions.
Flickr data on 2011-08-05:
Camera: Sinar AG Sinarback 54 FW, Sinar m
License: CC BY 2.0
User: Boston Public Library BPL
Rio del Tre Pont
Rio del Tre Pont, Venezia, Italy
https://fr.wikipedia.org/wiki/Rio_dei_Tre_Ponti
Le rio dei Tre Ponti
(canal des Trois Ponts)
est un canal de Venise faisant limite entre les sestiere de Santa Croce et de Dorsoduro.
Description
Le rio dei Tre Ponti a une longueur de près de 140 mètres. Il raccorde le rio Novo vers le sud au rio del Tentor.
Français : Rio Novo, 2011.
Toponymie
Même si le Ponte dei Tre Ponti, pont divisé en trois branches se trouve actuellement sur le confluent du rio Novo, rio del Gaffaro et rio de le Burchiele, le nom de ce rio dans le prolongement du rio Novo y réfère.
Situation
Ce rio longe :
le fondamenta del Pagan ;
le Fondamenta San Marco.
Ponts
Ce rio est traversé par le Ponte del Pagan reliant la fondamente éponyme à la Fondamenta del Rio Novo.
Santa Marta
Venice, Italy
https://it.wikipedia.org/wiki/Chiesa_di_Santa_Marta_%28Venezia%29
La chiesa di Santa Marta
è un edificio sacro di Venezia, situato nel sestiere di Dorsoduro, presso un parcheggio dell’area portuale, unico luogo della città accessibile alle automobili oltre a piazzale Roma.
Oggi la chiesa è sconsacrata.
Storia
La chiesa di Santa Marta fu eretta nel XIV secolo su quella che era la spiaggia più occidentale della città lagunare, in stretto legame con la parrocchia di San Nicolò dei Mendicoli.
Nella modernità subì la sconsacrazione e un lungo degrado. Nel Novecento, dell’originario assetto dell’area nulla è rimasto, causa l’organizzazione delle strutture del nuovo porto e la successiva realizzazione del terminal automobilistico di piazzale Roma e della stazione marittima. La chiesa, deperita (per uso magazzino ecc.) e inglobata tra moderne strutture e parcheggi, è sopravvissuta alla radicalità dei cambiamenti, beneficiando negli anni 2000 di un totale restauro con riconversione, che ne ha fatto un luogo di convegni ed esposizioni.
http://www.comune.venezia.it/flex/cm/pages/ServeBLOB.php/L/IT/IDPagina/6337
Riconversione di edifici portuali a funzioni urbane – Restauro conservativo e ristrutturazione ex chiesa di Santa Marta
http://www.slowtrav.com/blog/annienc/2012/09/santa_marta.html
Santa Marta
This is a strange part of Venice. It’s in the port area, and there are cars over there and even a parking lot right next to this deconsecrated church. I’ve learned that this southwestern tip of Venice has always been unique.
At one time, the Arzere (Embankment) of Santa Marta was connected to the mainland by a peninsula made of silt washed into the lagoon by the River Brenta. This natural bridge was called the Ponte dei Lovi (Bridge of Wolves) because it was overgrown and inhabited by wolves! The Venetians destroyed the Ponte dei Lovi in 1509 during the War of Cambrai to prevent a land attack on the city.
The church of Santa Marta was founded, along with a convent and hospice, in 1315 to house Benedictines nuns from the lagoon island of San Lorenzo in Ammiana (an island that’s now completely underwater). The convent was expanded and the church rebuilt in 1468, and that’s the church we see today. It’s dedicated to St. Martha, sister of Mary and Lazarus.
In the 16th century, the convent was taken over by Augustinian nuns. As far as nuns go, the Santa Marta sisters seem to have lived a quiet life compared to those in other Venetian convents, though “Virgins of Venice” does share the news that in 1594, the Santa Marta nuns got in trouble for staying up all night playing cards with the young girls (not nuns) who were boarding at the convent until they were ready to marry.
This area was famous for a festa held every summer on Santa Marta’s feast day (June 29) This Dorsoduro neighborhood, from San Nicolo dei Mendicoli to Santa Marta, was working class for the most part, and home to many fisherman. Evidently the Festa di Santa Marta was so much fun (and the fish so delicious) that the Venetian aristocrats would attend the festa too, arriving in boats decorated with twinkling lanterns.
Some think the church created the festa to commemorate the banquet for Christ at St. Martha’s home. But others claim that it began with the local fisherman roasting fresh-caught sole on the beach and when people began coming, the church got involved. Either way, it was a popular celebration that began with a service in the church and then moved outside, a fish fry on the beach with music and dancing. Canaletto was inspired to paint it, one of the few night scenes he ever did; you can see the painting here – La Vigilia di Santa Marta.
I was so excited to read on Sig. Nonloso’s Venezia Blog that the Festa di Santa Marta was revived in the summer of 2012!
The Santa Marta religious complex was suppressed in 1805. The church building was used by the army to store animal fodder and later became a railway warehouse. The campanile (visible in the Canaletto painting) was demolished in 1910. For much of the 20th century, the church just sat there empty and neglected as the port grew around it, modern housing was built, and the university took over the nearby former cotton mill.
But just recently, the church was transformed into Spazioporto (spaceport), a conference center meeting space that opened in 2007 after a one million, eight hundred Euro restoration funded in part by Venice’s Port Authority.
Click on “foto” on the Spazioporto website to see photos of the interior. It’s pretty cool looking – a shiny modern wooden amphitheater thing but you can still see the church’s old brick walls and wooden ceiling. This space has been used as a venue for the Biennale among other things.
As you can see, the exterior of the church has been stripped of most all decoration. It’s interesting to look at it and try to figure out what used to be there. It’s also an odd mix of modern and ancient brickwork.
Over the main door, there was a bas relief of Santa Marta protecting some nuns under her cloak, similar to the image of the Madonna della Misericordia which can be found in so many places in Venice.
This relief was relocated to the church of Angelo Raffaele, and I happened to photograph it without knowing what it was at the time (I love it when things like that happen!). Other sculpture from Santa Marta was taken to the church of Sant’Eufemia on Guidecca.
Santa Marta as seen from the vaporetto. The “beach” area has changed alot since Canaletto painted it.
Cypress trees and a parking lot next to this church~
To visit this church, get off at the Santa Marta vaporetto stop. But don’t do what I did, which is immediately get lost in the maze of modern housing in this neighborhood. Fortunately I saw the church on the other side of this wall and had to do a long back-track to get there. It’s not that far from the vaporetto stop, I just went the wrong way.
Wonderful series of Venezia images by ANNE, 2010.
Santa Croce
Santa Croce, 30100 Venezia, Italy
https://de.wikipedia.org/wiki/Santa_Croce_(Sestiere_di_Venezia)
Santa Croce
ist einer der sechs Stadtteile (Sestiere) Venedigs und liegt am westlichen Rand der Stadt, mit einer Fläche von 94 Hektar[1].
Die Insel Tronchetto bildet den westlichsten Teil dieses Stadtteils.
Seinen Namen leitet das Sestiere von der antiken Kirche
Santa Croce
ab, die im 19. Jahrhundert abgerissen wurde, um den
Giardini Papadopoli
Platz zu machen.
2006 hatte Santa Croce ungefähr 5500 Einwohner, die sich auf die Pfarren
San Nicola da Tolentino (mit SS. Nome di Gesù oder Santa Chiara),
San Simeon Grande (San Simeone Profeta) (mit San Simon Piccolo) und
San Giacomo dall´Orio (mit San Zandegolà)
verteilen.
#/media/File:Rii_di_Santa_Croce.png)
Ex-Chiesa Santa Croce
Mag. Ingrid Moschik,
political ward artist
