Otto Schmidt “privat”: young Viennese funny honey, lifting her frills and skirts, starting a Can-Can on the grassy ground, eyes in the shadow of a big flower hat, Vienna Woods (Wienerwald) around 1900
http://en.wikipedia.org/wiki/Can-can
The can-can
(sometimes non-hyphenated as in the original French: cancan French pronunciation: [kɑ̃kɑ̃])
is a high-energy and physically demanding music hall dance, traditionally performed by a chorus line of female dancers who wear costumes with long skirts, petticoats, and black stockings.
The main features of the dance are the lifting and manipulation of the skirts, with high kicking and suggestive, provocative body movements.
The Infernal Galop from Jacques Offenbach’s Orpheus in the Underworld is the tune most associated with the can-can.[1]
http://de.wikipedia.org/wiki/Cancan
Der Cancan
ist ein schneller französischer Tanz im 2/4-Takt, der sich um das Jahr 1830 in Paris aus der populären Quadrille ableitete
